Flatt Family Music
Using Everything in the Country Music Arsenal to Woo You Into Total Submission
Scanning through my ‘to do’ list the name jumped out me; and sure enough Stephen Flatt actually is related to Lester Flatt, he of Flatt & Scruggs; and yep ……. he’s actually a long lost Great Nephew; but that matters not a jot here, as he is very much his own ‘man’ without ever really drawing on that legacy, no matter how tenuous.
Stephen’s rich and expressive baritone comes at you like a ‘sucker punch’ on opening track Brother. Even the first time you hear this song you will imagine a sepia tinted video with a homestead, a sunset and a beat up old wagon somewhere ‘in shot’; but don’t think that this is Country by Numbers; far, far from it ….. Flatt uses that template exceptionally well; but isn’t afraid to ‘colour outside the lines’ when necessary.
I’m smiling as I type; because to me, this is Good Ole Country Music, the type you want to hear on the car stereo or on a Thursday night at a Roadhouse on the edge of town; before the big hitters come in on the weekend ….. it sure ain’t what you will hear or see on the Awards Programmes.
The pedal-steel cuts through many songs like metaphor for a knife carving out a still beating broken heart; none more so than when Flatt’s voice sounds like it’s on the edge of breaking during Logan Creek; not your ordinary heartbreaker; but one with a delicious twist that slowly unfurls.
Oddly enough, there is a good ole Bluegrass toe-tapper here; White County Shine; and it’s really rather bodacious and I imagine it will come late in the set when played live; as it’s a sure fire floor filler.
The more I’ve played this album; the more I feel that Stephen Flatt sounds and writes a bit like a young Vince Gill; while no doppelganger the Master’s fans are going to love One More Time (based on the moonshine theme, updated to reflect running meth when “the boy’s got a batch cooked” to finance a better life.), Gone Away and the rather swoonsome Hold You Tonight; so if you know a Gill fan …… give them a nudge in this direction.
Like so many of his generation, Stephen has a musical background outside the Country Music world; but he’s finally been drawn into the fold; and to some extent it takes a life of experiences to be able to write a song like Talking Like The Devil and deliver it in a way that makes the listener think …… “We have all been there!!!! “
That song is probably the most commercial here; but I’ve decided to go in a different direction for my actual Favourite Track; it although the judicious use of fiddle and mandolin means El Camino (1965) usually means that the its a Bluegrass tune; which is probably where it started ….. but it builds and builds until it’s nothing short of being a Honky-Tonking, Country and Western song that uses every thing in the arsenal to dance you into total submission ….. and I absolutely love it.
To some greater level; this is a solo album where Stephen Flatt is finding his feet; but none the less it’s a cracker and well worth checking out.
Released April 16th 2021
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