Rock Night in Jersey
Ghetto Surf Music
Bodacious Blues Rock That Errs on The Side of R.O.C.K …. But is Only a 5 or 6 on The Richter Scale!
I first uncovered Billy Hector two albums ago with his OLD SCHOOL THANG release in 2015; and if pulling them out of the cupboard for accompaniment on long car drives makes me a fan; then …. I’m a fan!
Two things I need to tell you before I go any further; a) Billy used to be Hubert Sumlin’s tour guitarist and b) While this is Blues Rock music that errs on the side of R.O.C.K …. it’s only a 5 or 6 on the Richter Scale; which is all I can cope with these days.
The magnificent I Know How To Party gets the show on the metaphorical road; with Billy and cohorts showing the kids how to ‘do it’ both in deed and music.
This is followed by the slow burning She Don’t Love Him Anymore, which leads into some glorious slide-work from the Maestro that will live in the memory long after the album has been replaced by his next release.
There’s a ‘slick cool’ to many of the songs here; and I’m pleased to tell you that the songs themselves take precedence; and the intricate and even revolutionary at times; fretwork and super-pro backing, take a secondary position; regardless of how good it is …. and it’s Damn Good BTW.
Too many ‘famous’ guitarists these days concentrate on guitar fireworks; forgetting that the words in their songs are just as; if not more important than their technical showing off …. which certainly isn’t the case with Billy’s writing on and in Doctor, Doctor and the funkalicious Lazy Man which has a groove so good, Mrs Magpie looked on in disbelief as I boogied around the kitchen to it one night!
There also two covers here too; and while I didn’t recognise either, the choices really are exemplary; Hector does to Leadbelly’s Poor Howard what the Cream did to Crossroads 50 years ago; and the other is actually one of my favourite songs here; France Chance which features some genuinely sizzling guitar work and industrial style powerhouse backing from Sim Cain and Wilbo Wright was actually written by Mississippi Joe Callicott in 1967 on a long forgotten album of his own, that sounds nothing at all like this. I have no idea how a musician can hear Folk Songs like these; and then turn the words and melody into pumping Rockers ….. it’s witchcraft methinks!
Speaking of Favourite Tracks here, I’ve eventually narrowed it down to three (not including France Chance); with the horn section turned up to 8; the slinky Tell Me What You Want has a big band feel to it, with hints of both BB and Freddie King in there too; then there’s the feisty Ms Martha where Billy not just growls his vocals but makes his Strat growl too!
Which only leaves the actual winner; Rockstar Betty, which I fell in love with the first time I played it. More laid back than most songs here; but the bodacious story and supercool refrain; made it an obvious choice, even though the others ran a very close race.
I hear quite a few albums ‘like this’ every year, but there’s ‘something special’ about Billy Hector’s way with words and geetar playing that appeals to me over many more ‘famous names’ on the circuit these days ….. and I can only hope against hope that he visits NE UK sometime soon …. as the audience is ready and waiting.
Released April 2022
BUY DON’T SPOTIFY