I’m Just Getting Started
Endless Blues Records
The Blues Comes in Many Shades; and Here We Add a Couple of New Shades To the Palette
This is Mick Kolassa’s 11th album which shows he already knows his way around The Blues, and even a cursory listen here shows what a talented singer and songwriter he is.
For some inexplicable reason I’ve always liked a title track to open an album; and that’s what we get here; the autobiographical and slightly tongue in cheek I’M JUST GETTING STARTED, where Mick takes us through every stage of his career from his Daddy giving him advice at the beginning through to him claiming
“I’ve got me lots of tricks
ain’t no one’s seen yet!”
and you’d better believe it, Brothers and Sisters!
The thing I like most about this album; and that’s not to say there are any weaknesses; is the way the songs are front and centre. Sadly; in my experience too many Blues artists let the music especially their guitar playing dominate proceedings; and/or fiddling around with the vocals in one way or another; Mick Kolassa on the other hand regularly switches things around to get the best out of his words and stories.
Track #2 What Can I do? is a delicious slow burner, about a love affair going nowhere and I likes it a whole lot; especially when his voice drops an octave on the last line of the chorus.
I don’t know what to call it; but Kolassa is the opposite of a ‘one trick pony’; as he uses a variety of styles to catch your attention; with the dark and moody Alibis And Lies being a N’Orleans shuffle with a cornet/trumpet slicing through like cut throat razor; and bizarrely (on paper) he follows that with Friday night Dive Bar re-make of Milk Cow Blues called Leavin’ Trunk which is as raw and authentic as the Blues gets in 2022; and you hardly notice the change in pace at all.
I think that may be why I’m liking this album so much; is Kolassa’s ‘authenticity’ throughout; he sounds like he’s either ‘living the songs’ as he sings them, or ‘actually lived the story’ he’s singing about.
Prime examples would be the punchy version of John Hiatt’s Real Man, or That Kind of Man and especially the sizzling Take Me Away which won’t leave a dry eye in the house.
I’ve played the rambunctious final track How Much Can I Pay You a few times now, trying to unravel what it’s ‘really about’ and I think it’s as simple as being a fun song about a ‘rough old girl’ in a bar that the band are playing, and the type of tongue in cheek, saucy song we associate with Muddy Waters or even Louis Jordan; and it’s an absolute doozy.
As I say regularly, there are no obvious singles here; and why should there be with so few outlets for coverage; but that doesn’t stop a couple of songs from standing out like a poppy in a field of golden wheat.
First of my options for Favourite track is the slow and intricate Hard Hearted Woman; which features some superb guitar and organ interplay that sounds like a fog that the lyrics cut through like early morning sunshine.
Then there’s the funky ass, harmonica drenched Bigger Dreams, which just might be my current ‘signature tune’ and Rick Steff’s piano playing is straight out of the Professor Longhair playbook too.
Which brings me to my actual Favourite Song; the stunner Trying Not to Let The Darkness In; which has more or less applied to me a lot in recent years, and will tug at the heartstrings of all so many people who get to hear it; and the construction is quite majestic too.
As we all know, the Blues comes in many shades; and Mick Kolassa has created a couple of new shades of his own here and may even be colouring outside of the lines occasionally; but if that is what it takes to create songs like these; who am I to complain?
Released 27th July 2022
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