Change In Me
A Man Who Doesn’t Follow the Well-Worn, Accepted Format in Creating His Art
Born in Cuba and raised in Chicago Eddie Turner was exposed to a cornucopia of musical influences growing up; jamming with his pals at school, hanging out in alleys or; better still, even sneaking into shows whilst underage to watch true icons such as Muddy Waters, Jimi Hendrix or later; The Clash.
Turner grabbed an early opportunity to be part of Zephyr for their last album in 1985 and was then invited by his buddy Kenny Passarelli to form The Otis Taylor Band, a commitment that lasted 10 years and included recording 5 albums, up to 2004.
As a solo artist Eddie has previously released 3 studio solo albums; plus the one live effort of ‘Naked In Your Face’ which nicely leads us to the ten new tracks on Change In Me.
Again, he involves his good pal Passarelli, as well as Tim Stroh, to assist with the production duties whilst the album was recorded in both New York and Colorado. With a plethora of styles clearly developing from his eclectic taste in music this is not just any old genre bending album.
In fact, the magazine Classic Rock Here And Now states that “Turner has developed a sound that’s informed by tradition, yet adventurous enough to not be limited by it.”
The title track Change In Me starts off proceedings with a cool tempo, subtle guitar and B3 working together, supporting the lyrics with an added bonus of a sultry female backing vocalist.
It’s an impressive start highlighting the fact that unlike so many of todays artists Eddie knows when to leave things out of the mix.
One of 3 covers, Hendrix’s “My Friend” provides a very effective, albeit pedestrian vocal, almost like Jimi’s own droll delivery on his posthumous ‘The Cry of Love’ album.
Lou Reeds “I’m Waiting For My Man” again paints a vivid underworld of danger and intrigue, complimented by further effective female backing vocals.
The third and most distinctive cover comes from the pen of Chicago Blues Legend – Willie Dixon and is as vastly a different version of “Hoochie Koochie Man” that I’ve ever heard, but you know what … it works.
Jazzy piano keeps “Whoa, Whoa, Whoa” yomping at a pace with the familiar female vocals providing answers to some of Eddie’s comments and observations.
The lyrics to “This is Your Night” tell another haunting almost mysterious tale starting with the scene setting lines
“Revenge is a serenade that lasts through the night,
Jealousy’s soft parade,
the Angels are right”
with the repeated memorable lyrics of
“You pour me another wine, then you realise,
This is your Night”
completing each verse.
Just for a change, drums and bass prominently feature on “Standing on the Frontline” before some Ernie Isley type guitar licks punch through the funky backbeat.
It’s not exactly easy listening as you plough your way through this album; but the more I’ve listened, the more I like it. Push me for my Favourite Track then it would have to be “Dignify Me” which steps the pace up a gear or three, each verse ending with catchy punch-lines
“You’ve got to dignify my presence,
Dignify my soul, my soul…..Dignify”.
Undoubtedly, Eddie Turner doesn’t follow the well-worn, accepted format in creating his art, with mostly machinating lyrics and downbeat melodies that ignore the well-worn paths to popularity. To me this borders on him being somewhat enigmatic and probably an acquired taste that will fly over the heads of the masses.
However, all power to his elbow for sticking to his personal idiom and patently not changing himself just to optimise any potential sales.
Jack Kidd aka “Messin’ with the Kidd” on lionheartradio.com
Released on 14th. May 2021
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