Stephen Flatt CUMBERLAND BONES

Stephen Flatt
Cumberland Bones
Flatt Family Music

Using Everything in the Country Music Arsenal to Woo You Into Total Submission

Scanning through my ‘to do’ list the name jumped out me; and sure enough Stephen Flatt actually is related to Lester Flatt, he of Flatt & Scruggs; and yep ……. he’s actually a long lost Great Nephew; but that matters not a jot here, as he is very much his own ‘man’ without ever really drawing on that legacy, no matter how tenuous.
Stephen’s rich and expressive baritone comes at you like a ‘sucker punch’ on opening track Brother. Even the first time you hear this song you will imagine a sepia tinted video with a homestead, a sunset and a beat up old wagon somewhere ‘in shot’; but don’t think that this is Country by Numbers; far, far from it ….. Flatt uses that template exceptionally well; but isn’t afraid to ‘colour outside the lines’ when necessary.
I’m smiling as I type; because to me, this is Good Ole Country Music, the type you want to hear on the car stereo or on a Thursday night at a Roadhouse on the edge of town; before the big hitters come in on the weekend ….. it sure ain’t what you will hear or see on the Awards Programmes.
The pedal-steel cuts through many songs like metaphor for a knife carving out a still beating broken heart; none more so than when Flatt’s voice sounds like it’s on the edge of breaking during Logan Creek; not your ordinary heartbreaker; but one with a delicious twist that slowly unfurls.
Oddly enough, there is a good ole Bluegrass toe-tapper here; White County Shine; and it’s really rather bodacious and I imagine it will come late in the set when played live; as it’s a sure fire floor filler.
The more I’ve played this album; the more I feel that Stephen Flatt sounds and writes a bit like a young Vince Gill; while no doppelganger the Master’s fans are going to love One More Time (based on the moonshine theme, updated to reflect running meth when “the boy’s got a batch cooked” to finance a better life.), Gone Away and the rather swoonsome Hold You Tonight; so if you know a Gill fan …… give them a nudge in this direction.
Like so many of his generation, Stephen has a musical background outside the Country Music world; but he’s finally been drawn into the fold; and to some extent it takes a life of experiences to be able to write a song like Talking Like The Devil and deliver it in a way that makes the listener think …… “We have all been there!!!! “
That song is probably the most commercial here; but I’ve decided to go in a different direction for my actual Favourite Track; it although the judicious use of fiddle and mandolin means El Camino (1965) usually means that the its a Bluegrass tune; which is probably where it started ….. but it builds and builds until it’s nothing short of being a Honky-Tonking, Country and Western song that uses every thing in the arsenal to dance you into total submission ….. and I absolutely love it.
To some greater level; this is a solo album where Stephen Flatt is finding his feet; but none the less it’s a cracker and well worth checking out.

Released April 16th 2021
https://stephenflatt.com/

BUY DON’T SPOTIFY
https://music.apple.com/gb/album/cumberland-bones/1561525142?app=itunes&ign-mpt=uo%3D4

*A CD and artist download will follow ASAP



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