Screamin’ John & TD Lind
LITTLE BIG MAN
Down In The Alley Records
Dazzling Adaptation Of Classic Down-Home Blues For the 21st Century.
So many things have conspired this week to try and stop me finishing writing this review; but I’m adamant that I will get it done and posted by close of play!
Even from the opening rinky-dinky piano chords that lead into opening track the breezy Rollin’ Joanna I knew that this album was going to be right up my street; and when TD Lind’s slightly grizzled vocal cuts in I knew that this was indeed; the Real Deal.
A polite mixture of self-penned originals and Classic Blues Oldies has conspired to hijack every CD Player I have this week; and I haven’t minded a minute.
I hardly recognised BB King’s The Letter; primarily because this powerhouse duo have stripped it back to the bone and feature Joel Pinkerton’s ‘most Blues wailin’ harmonica’ as lead instrument instead of the geetar …… and the combination works a treat.
This is followed by Jimmy Reed’s Shame, Shame, Shame and short of howling Hallelujah! I can’t think of a better way of expressing my admiration for this startling 3 minutes of Blues Heaven.
I will come back to a couple of the cover songs later, as the duo’s own work is rather good too ……. with the title track Little Big Man the type of R&B you would associate with John Lee Hooker; but these cats have a sound very much of their own, and not a bit like the big man.
I always chuckle when unbelievers think that The Blues is depressing music; Hell’s Bell’s it’s anything but as Screamin’ John and TD prove on the rambunctious Gonna Drag You and Seth Walker and Jarod Dickenson’s Way Past Midnight …… this is Shotgun Shack dance music at its finest.
They can do dark and dangerous too; Reaper’s Knockin’ is a great example; and a tune I now want played at my funeral …….. just to scare the Grandkids!
I’m lucky in as much as I do hear Blues albums like this more than the average bear; but that doesn’t stop me being not just impressed but thunderstruck when I unearth songs like Cold Stone and Emptiness. On an album that will be stacked in the Classic or probably Chicago Blues rack; Screamin’ John and TD Lind turn the genre upside down on this very, very contemporary song; and one that deserves a much wider audience than what I can give it via these pages; hence it is the Official RMHQ Favourite Track here by a country mile.
There’s another song here that deserves an ‘honourable mention’; Huddy Ledbitter’s Goodnight Irene. A staple of most Blues bars and clubs I frequented as a young man; and probably you too; and more recently a song local troubadour and friend of mine Paul Handyside once recorded for my old radio show; gets a whole new lease of life here. Honestly there’s no way anyone under 50 hearing this beauteous song for the first time would ever guess it was over 100 years old.
This duo; producer Glyn Johns and their friends have created a brand new album, that can comfortably sit shoulder to shoulder with Classics of the genre in my collection (and yours).
Released October 12th 2019