Workin’ & Dreamin’
Putting The Folk Back Into Country, But With a Razor Sharp Contemporary Edge
It doesn’t seem like 5 minutes since we reviewed Bard Edrington V’s album ESPADIN and here he is again with a new and very different concept alongside fellow singer-songwriter, Boris McCutcheon (and honorary Brother Greg Williams and Hoth Sister Sarah Ferrell) .
Sadly; as is the case with many musicians Edrington and McCutcheon occasionally have to take on other work to supplement their income; and in the Winter of 2017 they found themselves pruning fruit tress; and as is their won’t the pair got to talking about music; and the kernel of this album was sown.
Both men completed their imminent solo albums and set about recording this in February.
Without spoiling it, it took me a couple of plays for the jaunty opening track Trees of Heaven to unravel and reveal a subversive Folk Anthem that sounds powerful in its own rite today; but I guess this sing-along Gospellish tune will take on a life of its own in the ensuing years; as not just America, but the whole damn world goes to Hell in a handcart!
While the production here is quite simple; it’s a deliberate ploy allowing these songs to breath and grow the more you listen to them/
While the Hoth Brothers bill themselves as a Folk Act; Whiskey and a Woodstove, Horses Are Made of Wind and Fault Line are 100% Country songs, with spines that combine Bluegrass, Hill Music and even a smidgen of Western Swing in the choruses.
Another thing is apparent all the way through the album, is that the Hoth Brothers know how to create a melody; something that is often missing on albums and songs by their contemporaries; with Chili Line and both being remarkable stories; but ones you can also dance too (if you have a good sense of rhythm).
While I’d prefer acts like this to be signed to $1 million contracts and selling albums by the cart load; it’s a good thing that isn’t always the case; as self-releasing albums allows Bard and Bruce to write and record songs like Wild Robby, Flint Hills and especially the delightful Bitter Frost without having some guy in a bad suit chomping on a Cuban cigar hanging over their shoulders asking “Where’s the single?”
While there’s an obvious ‘old-timey’ feel to most songs here; there’s also a real contemporary ‘edge’ to several sets of lyrics; none more so than January, written in the immediate aftermath of President Trump’s inauguration; and because of the way they treat the subject matter ……. this song is easily the RMHQ Favourite here. Check it out ASAP.
To paraphrase what they themselves say “It’s a long ride, 16 songs in all ……. but it really is a journey of truth and wonderment from start to finish.”