I Feel Drunk All The Time
Scottish Americana that Criss-Crosses Indie, Folk-Rock and Classic Folk.
It seems like 100 years ago that I reviewed Harry Harris’ debut album (2010) for a magazine (which shall remain nameless!) and out of nowhere he got in touch a couple of weeks ago asking if I’d give his latest and 3rd release an airing.
Well dear reader, a lot has happened to young Harry in the intervening years; he no longer resides in Wales….. now it’s Ye Olde Edinburgh where he sells himself as a singer/songwriter/journalist now; where the latter job includes RMHQ Favourites Nylon, Vice, Mundial and more.
While I vaguely remember the first album as being on the cusp of the Folk bracket; now I’ve played I FEEL DRUNK ALL THE TIME quite a few times I’d definitely now describe him as being an all encompassing Singer-Songwriter as the songs here are a lot more rounded and contemporary with a foot in several camps, starting with the powerful Marathon; a deep, dark and brooding tale that uses that ‘sport’ as a metaphor for dear life itself; and it manages to tick a lot of Americana and Post-Indie boxes too.
Perhaps the use of a saxophone in the Memphis gives it a hint of Grown-Up Blue Eyed Soul; but don’t think you can really dance to it; as it’s the type of song you will find yourself wallowing in late at night while you try to mend a broken heart with a bottle of wine.
Harris’ songwriting is universal, and as this album more or less came about following the death of his best friend at an unfeasibly young age; everyone will find not just solace but a kinship in Bloodletting and the title track itself I FEEL DRUNK ALL THE TIME, and the gently rolling guitar in the latter l take your breath away.
For a Welshman; there’s a distinct Scottishness to the whole album; as it sounds like it couldn’t have been written or recorded anywhere else with the starkness of Things John Hated and Free Italian Food managing to take melancholy into a stratosphere originally inhabited by Donovan and Bert Jansch but more latterly Eddi Reader and Kris Drever.
When you have such a rich and expressive voice as Harry has, ‘Folk Music’ is always going to be the first thing you think of; the bouncy Deadliest Warrior and All My Worst Ideas (both with a band in tow) criss-cross Indie, Folk-Rock and even the latest wave of Scots-Americana with ease and indeed, rhetoric.
To a greater or lesser degree I FEEL DRUNK ALL THE TIME has caught me ‘at the right time’ as my ‘head hasn’t been in the best of places recently’ and one song in particular caught me off guard and has had me going back to it again and again; making the bucolic and brittle Making a Go Of This my Favourite Song here; although the off-kilter subject matter may not appeal to everyone; but the sentiment will keep you coming back peeling away the layers until you crumble like house built on sand too.
It may sound odd calling this collection of deeply personal dark and brooding songs a ‘pleasant surprise’; but it has been as Harry Harris is a mighty fine songwriter and singer too; and I’d have been very disappointed if I’d missed this rather beautiful and brittle album.