Confessin’ My Dues
Acoustic Blues Don’t Get Much Finer Than This!
I kept picking this album up and putting it down again; not because I didn’t think I’d like it ….. quite the opposite actually; I just needed to be in the right place at the right time, and most importantly the right frame of mind to do it justice, as this type of Blues needs to be cherished, admired and savoured like a fine wine.
Even though I’d not heard of Terry Robb before, it comes as no surprise to find this is his 15th album ….. yes ……FIFTEENTH!
Right from the first two instrumental tracks here Butch Holler Stomp and Still On 101 Terry Robb shows what not just an accomplished Blues guitarist he is; but with his majestic flourishes quite experimental too without ever deviating from the path carved out by Robert Johnson nearly 100 years ago. Damn right this is The Blues, with a capital T and B.
By track #3 How a Free Man Feels, Robb actually sings; and wowza what a voice he has too; clean and crystal clear which is perfect for the way he delivers this age old story.
While only ever playing an acoustic or Resonator and occasionally supported by a stand-up bass and drums, Robb can kick up quite a storm with his variant on Country Blues, with the title track Confessin’ My Dues and Keep Your Judgement both being the type of song that will fill the dancefloor at a dive bar or Honky-Tonk; and on Three Times The Blues aficionados of all persuasions will sit open mouthed at his mastery of the wooden instrument.
I’ve heard a lot of guitarists ‘like’ Terry Robb, from Stefan Grossman through to Joe Bonamassa but very few times have I been as awestruck as I was the first time I heard Death of Blind Arthur, as Robb flits between the Blues, Jazz and Classical in the blink of an eye.
Two entirely different songs tie for the title of RMHQ Favourite track; Heart Made of Steel is an acoustic trio sounding as ‘heavy’ as Cream ever managed with a lorry load of Marshall amps; and the track that precedes it, It Might Get Sweaty sounds like that’s exactly how these three cats felt in the studio at the end of the recording session; and it still leaves plenty of room for expansion when played live!
It’s when I discover acts like Terry Robb and records like this I despair when the Awards Season comes along and the ‘experts opinion’ of what constitutes The Blues is 100 miles apart from my own interpretation; but I can’t do any more than advise you to invest your hard earned money in this album to discover what Blues Music can and does sound like in 2019.