It’s Folk Music Jim; But Not As We Know It!
Music? Doncha just love it? It can make “you laugh, sing, dance and just about any old thing” to paraphrase Rod and the Faces; but someone somewhere hundreds of miles away from you can also have the ability to tap into your rawest emotions and make you realise that you aren’t ‘alone’ after all.
Over the last few days I’ve been corresponding with Vicky Martin from the Delta Ladies who was politely asking if we/I would give her band’s latest release a listen, and gave me a bit of background. Nothing odd in that, as we get offered review albums every day … 24/7 yet nothing prepared me for the haunting/passionate/cracked opening track Thieving Boy!
Technically and in spirit, it’s Folk Music……. but Folk Music like I’ve never heard before!
I’m not doing it any justice if I say it’s two fiddles (one acoustic and one electric) plus a keyboard and Vicky Martin’s warmly mystifying vocals on a song that will eventually unravel in a way I doubt I’d ever expected.
This is followed by a 46 second banjo instrumental lament, called Redcar Steel Blues that I wanted to last an hour. Yes, you read that correctly…… BANJO INSTRUMENTAL, but Delta Ladies say more in that short time than feted journalists have managed for years about the death of the steel industry in the North East.
This duo? trio? band? ensemble? (and their friends) are so smart and clever they even include two versions of the same song (others tempos are also available), Rock of Ages and although they share the same words are polar opposites! The first version is Gospelish in essence with some staggering violin playing and a harmonica that will set your hair on end; and the second is a ‘Trance’ version which is bizarre to the Max; yet totally captivating; especially when heard on headphones.
Even when Delta Ladies go wandering off into Hippyland on Seventh Day Blues they kept my interest such is their mesmeric way with a tune and a random set of acoustic instruments.
The nearest to a ‘Commercial’ track here Devil’s Work Today, is a twist on the ‘Crossroads’ theme with some very modern and scary lyrics.
The title of RMHQ Favourite Track has been a tussle between the fabulously sloppy Blues Jam Praise The Lord and the 11 minute epic Hear Me Calling which closes the record; and I’m probably plumping for the latter as it meanders and twists and turns like a river, occasionally rolling along but always with a sense of fear and menace in the background.
By far and away this album isn’t for everyone (I’m hiding it from Mrs. Magpie, that’s for sure!) but for those of us who adore challenging music that doesn’t follow the straight and narrow path it will never be far away when we need a dose of beautiful misery.
Cleverly mixing traditional Folk Music with hints of Rootsy American and snippets of World Music as the whims suit them, this ever expanding trio from the *Norf Landin Delta take us on a tour of the darkest recesses of our broken hearts and tortured souls, but leave us feeling thoroughly cleansed and more peaceful as the last notes fade away.
#This will mean nothing to 99% of you; but the band that instantly sprung to mind when I first played this was String Driven Thing, a Folk Rock band from Glasgow who flirted around the outskirts of Prog in the 1970’s and whom I fell head over heels with; and still adore 40 years later.
*Norf Landin is really North London btw
Released August 2018