Jason Isbell & The 400 Unit LIVE at the RYMAN

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Jason Isbell & The 400 Unit
LIVE at the RYMAN
Southeastern Records

The Crown Prince of Alt. Country in All His Lucid Glory.

It’s kinda funny how Jason Isbell became an ‘Overnight Success’ after God knows how many years he has been hawking his act around the bars, clubs and concert halls around the world to ever increasing, but never huge crowds of appreciative Americana fans. But, to me and you he’s been a bonafide Star ever since his early Rock n Roll days in Drive By Truckers and even more so since he went solo and redefined what Alt. Country could actually be, but it took him winning TWO Grammy Awards earlier this year, and more recently getting one of his songs included in the A Star is Born movie; primarily to make Bradley Cooper appear ‘authentic enough’ for the rest of the world to catch on.
So with a whole new fan base to sate; Jason and those cool cats at Southeastern Records have culled 13 tracks from last year’s six Sold Out nights at the Ryman to showcase his talents where they shine brightest……in concert!
Although he has more ‘famous and popular songs’ I can’t think of a better song of his than Hope The High Road to open this album. It rocks like rowing boat in a storm, and Isbell’s way with words is as articulate as a Hemingway novel; and don’t get me started on those guitar solos!
This is followed by a spectacular version of 24 Frames and White Man’s World which was scarily prophetic when it first appeared on Nashville Sound but now; a year later it’s sadly even more pertinent; and Amanda’s fiddle playing often out rocks the guitars; and boy do they sizzle!
Although this isn’t a ‘live from the soundboard recording’ there’s certainly enough intensity and excitement in Last Of My Kind and Flagship to make new fans want…. No ‘need’ to check his website to find out when Jason & The 400 Unit are coming to town.
His songwriting has always been exemplary in my book; but when you hear the crystal clear production coupled to Isbell’s fierce approach on Super 8 and Cumberland Gap, you just know that those Two Grammys are only going to be the start of a big collection of shiny trophies.
Finding a Favourite Track here hasn’t been easy, as each and every song has its own merits especially the mesmerising Elephant, which is one of the most heart-breakingly clever and beautiful songs I’ve ever, ever heard and I’m going to go against the grain and pass over the Grammy Winning We Must Be Vampires; which is still every bit as brilliant as it was on the original album but instead I’m choosing the epic The Life You Choose, which I’ve grown to love over the last three years; and again Isbell somehow manages to wring even more passion and imagery out of it in this format than I could ever have dared hope.
If I have a complaint about LIVE AT THE RYMAN, it’s that some truly amazing songs from the first three albums are missing; presumably because of licensing issues, but they are missing none the less; but…. Hey ho…….. what is here more than makes up for that and showcases a truly amazing talent.

Released October 19th 2019
http://www.jasonisbell.com/

 

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Swampcandy MINE

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Swampcandy
MINE
Self-Release

Raw, Passionate Hillbilly Punk Infused Blues.

In a month when I’ve had releases by Sir Rod Stewart, Elvis Costello and the legendary John Hiatt to review, an album by a little known band from the backwoods of Americay, who nobody I know has ever heard of has not just captured my imagination but my heart as well!
Swampcandy are a definitive Roots-Rock band first formed in 2007 but really came to life in 2010 when singer/bassist Joey Mitchell joined original singer Ruben Dodd and, as they say…..the rest is history!
Best described as a Blues/Hillbilly/Folk/Country hybrid opening track JC’s Revenge is a really powerful foot stomper that made me do a double take the first time I played it. Best played LOUD Ruben Dodd sounds like he’s either got the Devil on his tail or Old Nick has actually inhabited his larynx as he growls and wheezes his way through four amazing minutes.
Oohhee! Joey Mitchell then kick starts the album on the second track with the jaunty and whoopielicious Party With The Devil and the darkly delicious frame of mind is set for what is to follow.
Those of a sensitive disposition can leave now.
When I first started reviewing Swampcandy’s ‘style’ would have been described as ‘Old Timey’; which it is……but boy oh boy….. is it contemporary and at times, frighteningly futuristic too!
Red Shoes finds the two singers bouncing off each other like electrons, then Burn The Meadow takes Olde School American Folk music into uncharted territory but on Dead Man Walking and Sack o’ Bones the band somehow manage to out Punk the MC5!
There’s a little bit of everything here, showing Swampcandy’s diverse and fascinating skill sets in all their ragged glories; none more so than on the fleshy Ragtime-Folk of San Francisco (the hills of) or the majestic Years on End, which features luscious and almost Angelic harmonies and a demonic Grand Piano; or my Favourite Track, the simple and delicate Knock Out which is a brittle and beautiful observation of the times the ‘working man or woman’ finds themselves in.
Swampcandy are ‘different’ in many ways from what you will normally hear; treading a very lonely and personal musical path that won’t ever be commercial in financial terms; but will bring joy and pleasure to everyone who invest the time in actually listening to their music.
AHA!
I’ve just had another thought……. Swampcandy are the type of band that will play to a crowd of 50 in a tent at Glastonbury when U2 or Coldplay or whoever are headlining in front of 250,000 across the field; but two years later those 50 people will still be talking about the night that they had their lives changed.

1st October 2018
http://swampcandy.com/

 

 

Elvis Costello & The Imposters LOOK NOW

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Elvis Costello & The Imposters
LOOK NOW
Concord

His Aim Is Still True!

Elvis Costello is the only act I’ve ever queued TWICE for his albums on the day of release (This Year’s Model & King of America); and for a long time afterwards I bought each and every album he released; until The Delivery Man …..well, like the three that preceded it I don’t think I’ve listened to it a third time in 15 years.
So, while obviously flattered to be asked to review his latest, and 30th studio album, I was very nervous last Sunday playing it for the first time.
What if I really didn’t like it?
But, a combination of me not playing his albums for a decade and possibly now having more refined tastes……… there was no need to panic; the Kid is in fine fettle and right back in the game!
The first thing you hear Under Lime and it’s as sharp and melodic as anything Costello recorded in the 80’s (his peak period btw) yet while the arrangement sounds a bit jazzy and not unlike his songs with Burt Bacharach the lyrics are brand new, shiny and even attention grabbing.
Panic over.
Now I’m settled into it. LOOK NOW is real ‘Grown Up Music’; no, not AOR because very little here ‘rocks’ this is 100% quality singer-songwriter material aimed at Grown Ups, that takes chances unlike any of his peers would ever dare take…… try the magnificent Burnt Sugar is More Bitter (written with Carol King no less!) and Dishonour The Stars and then point me to someone other than EC who could write such a song and arrange it in this manner and yet it’s still ‘commercial’ and listenable over and over again.
There’s always been something of a Poet in the way Elvis chooses his words and constructs his songs making the listener know exactly what he means in Mr & Mrs Hush or the intense Stripping Paper even if they aren’t to be taken literally.
As is my won’t I’ve played this five times before reading the Press Release and only then did I realise that the two brooding ballads Don’t Look Now and Photographs Don’t Lie are both co-write with Burt Bacharach; whose (with hindsight) ghost is all over them.
To some greater or lesser degree he’s taken a big step backwards to jump forwards with the bittersweet Suspect My Tears and He’s Given Me Things, with both not sounding particularly like anything else he’s recorded but takes you back to a time when his song writing shone like a star in the sky.
While far from being my ‘Favourite Song’ here; I admire the way he casually drops in the left of centre arrangement of Why Won’t Heaven Help Me without a care in the world.
Finding my actual ‘Favourite Song’ was actually quite easy this time; as the I Let The Sun Go Down punched me straight in the heart the first time I heard it. String arrangements, luscious harmonies and Elvis Costello at his sharpest, cleverest and indeed witty even all rolled up in a quasi-political observation that will catch many a radio producer out!
If we forget his Angry Young Man phase in the late 70’s; Elvis Costello was a Master craftsman of his art between Trust and Spike; constantly reinventing himself yet always letting that one and only voice take us on musical journeys we’d never ever contemplated taking with anyone else; but ended up wondering why no one else had ever thought of that direction before.

Released 12th October 2018
https://www.elviscostello.com

 

John Hiatt – The Eclipse Sessions

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John Hiatt
The Eclipse Sessions
New West Records

A Masterclass in Americana and Roots Singing and Songwriting.

I will hold my hands up; my relationship with John Hiatt’s music is actually very limited, as even though I knew ‘of him’ and presumed I’d like his music I didn’t own any of his music until his single Cry To Me arrived back in August; so, it really was with baited breath that I pressed ‘play’ on the office stereo that morning…….phew……ooh…..WOW! Where the first words that sprung to mind as I stopped what I was doing and stared open mouthed at the CD player as the very embodiment of Americana music filled the room for four exquisite minutes; and now nearly two months later I still felt the same excitement as it opened this, John Hiatt’s 23rd (?) studio album in 44 years.
Listening again tonight, second track All The Way to The River still makes me smile; because a month ago I played the album to Big Brother #2 who screwed his nose up when this came on, then looked quizzically at me before muttering….. “This isn’t Randy Newman, is it?” Oh how I laughed; but Hiatt’s grizzled voice and diamond edged lyrics could easily be mistaken for mid-period Newman; more so later on the pithy Poor Imitation of God and Over The Hill; which was an early contender for ‘Favourite Track’ status; but that has lost out to something a lot more personal.
As I don’t know his early work; I’m just loving this album for what it is with the songwriter’s razor sharp observations and red hot melodies on the sadly beautiful and worldly wise Hide Your Tears, Aces Up The Sleeve, Nothing In My Heart and especially the Country-Blues of I Like The Odds of Loving You which features some amazing bottle-neck guitar that made me feel a little feint at one stage.
Any of those songs would have been my ‘Favourite’ on anyone else’s album; as could the velvet edged Robbers Highway which closes the album; such is the gloriously high standard set here; but on an album that is more or less based around Hiatt’s distinctive voice and a laid back acoustic based band; I’m going left of centre for One Stiff Breeze which really rocks the joint and keeps taking me by surprise; as the 66 year old throws down the gauntlet to the scores of pretenders to his lofty throne…….. John Hiatt has still got IT!
While not really a ‘discovery’ for me; but still the first time I’ve heard a complete album by John Hiatt and there’s enough here to make me already buy a ‘Best Of’ to discover what I’ve been missing all these years.

Released October 12th 2018
http://www.johnhiatt.com/

Keb Mo & Roseanne Cash PUT A WOMAN IN CHARGE

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Keb Mo & Roseanne Cash
PUT A WOMAN IN CHARGE

WOW! What a great combination…..Keb Mo AND Roseanne Cash on a wonderful new stomping single called PUT A WOMAN IN CHARGE.
With all that’s going on politically in the US of A it’s a wonderfully romantic notion to boot men to one side and PUT A WOMAN IN CHARGE, but before anyone gets carried away remember the UK has Theresa May ‘in charge’ and we are going to Hell in a handcart and the memory of the divisive Madam Thatcher still sends a shiver down the spine of most people North of Watford Gap; but hey……it’s still a really cool song.

” Mo’ hopes the track can be a gift to women everywhere “My mother just recently passed at the age of 91. She was smart. She was strong. She was a leader. This video is dedicated to her and amazing women everywhere that are getting the job done.”

Written by Keb’ Mo’, John Lewis Parker (“Hard Habit To Break,” “Can’t We Fall In Love Again”), and Beth Nielsen Chapman (“This Kiss,” “Happy Girl”), “Put A Woman In Charge” is now available through all digital retailers, including Apple Music, Amazon, Spotify, and more.
Music force Rosanne Cash, who delivered a powerful speech while accepting the Spirit of Americana Free Speech Award during this year’s Americana Music Awards teamed up with Keb’ and sings on the track. On Nov. 2, Cash will release her first new album in nearly five years, titled “She Remembers Everything.” The poetic, personal and incisive collection features ten songs, all written or co-written by Cash, that reckon with a flawed and fragile world from a uniquely feminine perspective.

http://www.KebMo.com

Erja Lyytinen ANOTHER WORLD (Single)

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Erja Lyytinen
ANOTHER WORLD

TUOHI RECORDS

Our favourite female Finnish ‘most Blues Rocking guitarist and singer’ is coming back to the UK in November; and to coincide she is releasing this stunning ‘other worldly’ love song from her next album, which issue for release in early 2019 as a single.

The song has a lot of meanings,” says Erja. “First of all, it is a love story. It´s a dream about loving somebody in another dimension, because it´s not possible in this world. I have always loved sci-fi movies, so I wanted to add something extraterrestrial and supernatural to the video, too.  Also, it is pointing at how important it is for us to be aware of environmental aspects. Do we need to find another planet someday to be able to breathe? All this has been wrapped together by these two worlds happening at the same time, and how in the end it is important that we as lovers, and as a human race, could survive.”

Hymn For Her POP-N-DOWNERS

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Hymn For Her
POP-N-DOWNERS
Self-Release

Roots-Rock and Folky Americana At It’s Finest.

It might be a bit of an exaggeration to say that regular visitors to the area, Hymn For Her were the the Stars of the Jumpin’ Hot Club stage at SummerTyne Festival 2018, as their raw Rootsy Rocking n Rolling Folky Americana isn’t always ‘commercial’ nor ‘easy on the ear’; but they certainly won hundreds of new admirers, and when I passed the Merch stand Lucy and Wayne were always very busy autographing numerous CDs for a long line of music fans.
After seeing Hymn For Her four times now and owning their last release DRIVE TIL U DIE, I never know what to expect as this wonderful duo constantly reinvent themselves after immersing themselves in some new rich and exotic culture; which is sort of theme, if there is one here.
For only two people with an array of banjos, cigar box guitars, kazoos, fiddle and a mini drum kit they sure do make a big sound here; none more so than the sub-psychedelic Blue Balloons which opens the record with a lush arrangement and honeyed harmonies that you could almost bathe in.
While at home on a Festival stage, what can sometimes be lost in those performances is the subtly of their stories and the intricacy of their playing as they battle the elements.
Here Scoop becomes a delicious slice of Americana Pie, with Lucy hardly ever sounding finer and later on Shallow Graves you find yourself puzzled at first, then as the dark tale unravels you end up listening open mouthed. Powerful stuff indeed.
The couple’s charming daughter Diver makes a couple appearances here, adding some spacious and sorrowful violin to the sadder than sad Yard Sale on which Wayne seamlessly goes into Ryan Adams mode.
AHA! There it is……First Clown On The Moon; a rip roaring, raucous and fanciful ‘love song’ originally inspired by Diver’s dream of growing up to be the ‘first ballerina on the moon’; and a song that had them dancing in the aisles as the sun shone over the river at SummerTyne; and if one song actually defined Hymn For Her I guess it would be this one.
Or, it could also be the feisty and frantic Human Condition which comes straight out punching well above it’s weight and leaving the listener on the ropes as Wayne regales us with “You’re born crying/you live complaining/you die disappointed!” as we are beaten into submission.
Ain’t that the truth brothers and sisters?
On another day that would and should have been my Favourite Track; but I’m going to be contrary by selecting the Spanish flavoured Rose for no other reason than it’s simply delightful and a little bit epic.
There’s a little bit of everything here and it all gels magnificently; and that’s the beauty of Hymn For Her.

Released October 5th 2018
https://hymnforher.com/band/

https://store.cdbaby.com/cd/hymnforher6

 

Annie Dressner BROKEN INTO PIECES

Annie-Dressner

Annie Dressner
BROKEN INTO PIECES
Self-Release

The Most Emotional Break-Up and Make-Up Album You Will Ever Hear.

It must have been 2011 or 12 when I first encountered Annie Dressner as a support act at the Jumpin’ Hot Club, sitting there mesmerised for the full 35 minutes or so of her set, and it’s stayed in my memory bank ever since.
Then we have to leap forward to a couple of weeks ago when she got in touch after a friend recommended RMHQ as a possible place to send her latest (and only second!) album BROKEN INTO PIECES.
It’s still not clear why the long wait; but when you hear opening track Fades Away and what follows, you will come to the conclusion that this is a nearly perfect album of love songs that describes the roller coaster of emotions we all feel from the powerful beginning to the (eventual) Break-Up album. Fades Away is a soft, gentle and heartbreakingly beautiful love song about the time it takes to get over a break-up that she didn’t see coming, and will leave you occasionally forgetting to breathe; as it did me as she purrs out the story.
What a stunning way to start an album.
Although the musical mood picks up in the melody on the next song couple of songs, starting with Don’t Go (25th July) the sentiment in the story is as dark and brooding as I’ve heard in years and sounds just perfect for radio as does Heartbreaker which has the killer line “There’s the smell of cigarettes seeping through the curtain door/as your mother made us dinner/made my favourite thing of all/but I won’t be back again.”
Dressner’s observations of the minutiae in a once passionate relationship are staggering at times; but as the adage goes….. ‘be very careful when you break up with a songwriter; they get to write songs about you that will last forever!’
It obviously wasn’t just Annie’s songs that captured my heart that night in Newcastle but her wonderfully expressive voice that has the warmth of Nanci Griffith coupled to the softer edges of Tift Merritt; and her songs follow a similar if even more intimate path than either at times.
While all of the songs here are pleasingly feminine in origin; of course they would be – she’s a woman! But the depth involved in songs like Over and Over, the winsome Paper Moon and Numbers will resonate with many men who have gone through the same type of complicated relationship; such is the way Annie’s genuine sensitivity keeps shining through.
Me? I’m in a very strong and stable relationship (41 years and counting) but I knew heartbreak as a young man and have seen friends and family crumble as complicated relationships go wrong; not everything is black and white. So we can appreciate and sympathise with where Ms Dressner is coming from on the tearjerkers Morning and more pertinently Falter which sort of sent a shiver down my spine.
The first time I played Kentucky I had to stop it half way through and go back to the start, just to confirm what my ears had heard. I’m not going to spoil the surprise or indeed twist in the tale; but tucking this song away in the middle is a very clever trick indeed.
Then, there is a song so clever and personal that it will get standing ovations whenever it is played in concert; which is why Bruise Beneath My Bones is my Favourite Track here. It, like many others isn’t actually an ‘easy listen’ and nor is it intended to be; but boy has it got a sting in the tale ….several in fact, as Annie goes into full on Tarantula mode to let him know how she really, really feels!
For an album that is probably on the Folkie end of the Americana spectrum BROKEN INTO PIECES has more S.O.U.L than anything you are going to hear from just about anyone else this year or many more to come.

Released October 26th 2018 (pre-order NOW and get three free songs immediately)
http://www.anniedressner.com/

# Annie Dressner is such a good and imaginative songwriter; she is actually happily married to Paul Goodwin who appears here on keyboards!

Bert Jansch `Just A Simple Soul (Best of Collection)

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Bert Jansch
`Just A Simple Soul’ (Best of Collection)
BMG (Double CD & 2 LP Vinyl )

The Flame Burns as Bright As Ever For One of British Folk Music’s True Legends. 

Many years ago while I was a student I whiled away my spare time at Durham Folk Club listening to The Spinners and The Seekers while The Rocking Magpie was in a Youth Club surrounded by teenage girls, dancing to Ska and Motown …he always was the cool one!
Which is why, nearly 50 years later he has asked me to listen to and pen some thoughtful words on this latest offering from one of Britain’s finest ever Folk Musicians ….Mr Bert Jansch.
There was a time in the 1960’s, before “Clapton Is God” was scrawled in four feet high letters on a wall, that there were other “gods” in the music world. A time before “Rock” music was even a ‘thing’ and The Beatles and Stones were still Pop Groups and before a young whippersnapper in a funny hat called Bobby Dylan was starting to make a noise in America.

For a  period in those early sixties there were 100’s of Folk Clubs  scattered all over the UK in little rooms above pubs..or in pubs, above cafes or in cafes playing a heady mix of traditional songs, American blues, work songs, miners songs and everything else in between to groups of young people with long hair and invariably wearing duffle coats and smoking cigarettes while listening intently and reverentially to whoever was on stage.

As the 1960’s progressed word started coming out of these London folk clubs about a variety of homegrown singer-songwriters and Folk groups that were writing their own songs…and they were good; very, very good!

One of these was a handsome young Scotsman called Bert Jansch who moved South in 1963 to ply his trade as another  hungry folk singer in London.

Jansch soon recorded his first album and sold the tapes for £100 to Transatlantic records who released it in 1965. The Self-Titled Bert Jansch contained several songs that are still classics today in 2018, including “Needle Of Death” about the loss of a close friend and the more traditional “Blackwaterside” (which a certain Jimmy Page re-worked for the first Zeppelin album 3 years later!). But it was an instrumental “Angie” written by Davy Graham ( a brilliant instrumentalist and songwriter in his own right) that showed off Jansch’s prowess with an acoustic guitar.
Through the late 60’s and early 70’s Bert Jansch was the ‘go to’ name in British Folk Music, releasing a number of sought after albums including the excellent Jack Orion and the iconic LA Turnaround.  Over his career Jansch released over 20 albums, plus a myriad of live releases and compilations of varying ‘legitimacy’. Unfortunately Bert’s legacy is scattered over many record labels many of which are no longer around.
Which is where this magnificent collection stands out. Just A Simple Soul pulls everything into one place; not only his classic early songs, wonderfully re-mastered, but also includes ‘Reynardine’ from his time with Pentangle ( Oh yes – he also played in one of the most loved Folk Groups of the 70’s that at regularly competed with Fairport Convention for many a best Folk award) but that’s a book in itself!  This collection also realises that Bert continued to perform and record until 2006, with his later albums well represented, especially worth listening to are‘Crimson Moon’ from 2000 and ‘On The Edge Of A Dream’from the 2002 album of the same name, as well as the poignant “High Days” from his last album Black Swan.

I don’t know if this collection covering Bert’s 5 Decades of music, lovingly compiled by Bernard Butler in conjunction with the Bert Jansch Estate, will attract many new fans – because it should as it’s an actual Masterclass in songwriting and stunningly brilliant fret work all allied to Bert’s fragile and gentle vocals.  But for those already “in the know” this collection cleverly pulls together some of his greatest songs alongside many rarer but still important parts of the legacy into one place.
The sound quality of my digital download used for this review appears excellent especially on the early songs, and the Vinyl release will be an opportunity for those in love with that particular format to finally renew some of those pretty worn out original LP’s

Highly Recommended.
Released October 26th 2016

Review – John Jobling aka http://www.joblingphotography.com/

Shipcote & Friends I’M QUITE HAPPY WITH THAT.

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Shipcote & Friends
I’M QUITE HAPPY WITH THAT.
Low Fella Records

Laid Back Americana Full of Warmth Via NE England.

The once thriving Shipcote area of Gateshead in Tyne and Wear has all but gone now; but the name lives on as the alter-ego of one half of the Jumpin’ Hot Club and full time musical troubadour Mr Graham Anderson; of which this is his latest disc.
If you already know him and his music you will buy this CD regardless of what I have to say; as ‘once a fan, always a fan’ in my experience; but to the uninitiated he writes very clever and intricate songs about the immediate world around him and the people who inhabit it; performing them in a warm, charming and laid-back Western-Swing meets American Folk via a traditional singer-songwriter hybrid that doesn’t particularly sound like anyone else I can think of. Confused? You won’t be!
I had to take a deep breath the first time I heard opening track Mystery Waltz as it begins with Cath and her accordion nodding towards something akin to the Captain Pugwash tune; but mercifully Shipcote and the other Friends seamlessly slide in with the first of a series of magical love songs sung to a hypnotic melody that will make you sway along as you aimlessly mouth the words, while thinking that you know who the song is really about.
The jaunty Photograph follows; and yet again a simple thing like ‘looking at a photograph of his wedding day’ ends up taking us all down ‘memory lane’ thinking exactly the same thoughts about our own past; such is the power of clever songwriting.
Although a man of a ‘certain age’ Shipcote isn’t as cynical as the majority of people I know; generally seeing the best in life; as the punchy Sanctuary Street and the delightfully romantic Country Swing of Lucky Me prove; but he can also let his imagination go wild with the insightful and sensitive I’m Coming To Get You, which will also turn a few eyes misty as time goes by.
The whimsical I Get Around and title track, I’m Quite Happy With That are both autobiographical ditties that had me smiling from start to finish as our man describes his day to day  life; with the latter being a description of his office including the posters on the wall , the swivel chair and his name sat next to a paperweight on his desk; and is all only an 8 minute ride away each day. I doubt Robbie Williams will ever cover this song; but I love it to bits!
Picking a Favourite Track on a Shipcote album is never easy, as each song always has its merits; and this one is no different with the slightly brittle and dark break up Hope It Stays That Way is unlike anything I’ve heard from him before and would be a contender for that reason alone; but the addition of luscious harmonies and a heartbreaking cello take it onto a whole other level.
Then there are two songs that are very close to my own heart, the first is a tongue in cheek tilt towards the myriad of Award Ceremonies every year, covering just about every (and some made up) categories in our own little musical world; leaving them with very little, if any meaning save for the Press Releases that litter my desk.
The other; and it’s the one I’m actually giving the prize to is What Can a City Do? Specifically about Newcastle which is on the verge of having more student accommodation than it has for actual rate payers and (more importantly) Social Housing; Shippy lists all of the new businesses that now litter the High Streets of our once Green and Pleasant land. And, in Shipcote & Friends style it’s all sung over a charming and lazy Countryfied melody.
Okay, I’m a friend first, a fan second and only thirdly an impartial reviewer; but if ever a song title summed up the contents of the music within the cover it’s, I’m Quite Happy With That and that’s is exactly what you will feel as the final song runs out into the groove.

Released Sunday 07 October 2018
http://www.shipcote.com/