Villiers & The Villains
MUSIC CONFOUNDS THE MACHINES
Cinematic Americana For When The Sun Sets Over Avalon.
As I’ve said before our little website is meant to hark back to the days of the old school yard when someone would see you standing with an LP under your arm and ask what it was; then recommend something similar…….word of mouth marketing before it was trendy?
Which is exactly what happened here.
I can find next to nothing on the interweb to tell me who Villiers and the Villains are (Facebook mentions Tony Villiers and no one else); but if they is good enough for my mate Willie Richardson in Northern Ireland, who went to the bother of sending me their album; then they is certainly good enough for the likes of you out there!
First of all the album title MUSIC CONFOUNDS THE MACHINE appealed to me before I’d even heard a note; but when the first weary chords and Villiers nasal drawl that open first track That 1979 Situation filled the RMHQ office; I immediately felt that I was in for a rare treat indeed.
Even before you get to the final track; the big sound that Villiers and the Villains produce belies them being a local band from Northern Ireland with day jobs to pay the bills.
Kingdom of Sin; which follows is another world weary yet even more atmospheric slice of cinematic Americana with some wonderful choral harmonies that drift in and out like a High Sierra breeze; and this Villiers talking Blues type story ain’t half bad too.
For a second album (?) there’s a lot going on here; with the band strolling in a 60’s Greenwich Village Folk Rock style on Down At Ellie Mays and Little Rhoda May; then they throw in a couple of toe tappin Blues numbers with the Van Morrison Street Choir era inspired Montpelier Hill and the 80’s issue love song Mexico which very nearly melts my heart every time I hear it.
Then there are the glorious Meat For The Dogs, and The Government Man Is Coming which together must be rip-roaring highlights of their shows and then there’s the magnificent Red Wine and Reefer sounds like a young Bob Dylan guesting with the Waterboys.
Villiers and the Villains manage to drop little musical time bombs left and centre here; with the gentle When My Heart Was Broke catching me unawares last night and then had me pressing ‘repeat’ five times in a row so I could savour every word and couplet; then this morning the quirky title track, the poem Music Confounds The Machines came into it’s own and stopped being a coda to Morrison’s Coney Island and took on a whole life of its own; as Villiers warm N’orn Irish brogue reminded me of the late lamented Bap Kennedy as much as it did Van the Man; and the gentle piano backing is just perfect for this delicately intense story.
I’ve very nearly changed my mind and made that song my Favourite Track here; perhaps I will tomorrow, but I’m going with my brain and not my heart and pointing you towards another Talking Blues, The Bubble Will Burst as the words alone are worthy of a much bigger audience than they will receive; as the clever production and Villiers incisive voice as he recites this bittersweet love song/poem will astound all who hear it.
Now I’ve played the album half a dozen times; I feel like crying. Not because it’s no good…….far, far from it my dear; this album is so good it would be hailed as a minor masterpiece by the National Press and magazine if Villiers and the Villains came from Arizona, Winnipeg or even Sarf Landin; but because they are from Northern Ireland and pretty much stay within the craggy Emerald Isle they will sadly go unheralded in the UK and more importantly the US of A who would lap up music like this should they get the opportunity to hear it.
Try it, buy it…….then thank me (and Willie!)
Released July 1st 2018