Patrick Sweany ANCIENT NOISE

patrick sweany ANCIENT NOISE B

Patrick Sweany
ANCIENT NOISE
Nine Mile Records

The Coolest Blues, Funk and Country Swamp Music You Can Imagine.

Sadly; such is the backlog at RMHQ that this album; from one of our favourite artistes has sat around unplayed and unloved for over a month now; but such is our love for Patrick Sweany that we knew we would get the best out of it when the time was right; and that proved to be last Sunday.
The sun was high in the sky and it was so hot my cold beer was soon warm beer; so I had to keep refilling my glass as I let this music seep into my soul.
Hallelujah! Opening track Old Time Ways was exactly as I’d hoped it would be; Sweany on top form howling from the heart as a red hot band makes every single note count; and not a single one is out of place.
This is already Swamp Music par excellence, mon ami.
Sweany’s cool groove continues through Up and Down and on third track Country Loving he slows things down to an evening stroll through the Everglades pace, as Charles Hodges takes on a Professor Longhair role at the piano while Sweany croons (if such a word can describe his grizzled tones) the sweetest of honest love songs.
In its own way ANCIENT NOISE is a ‘move on’ from what I remember of his last two albums; with a new found maturity to the construction of songs like Outcast Blues, Play Around (with its Roy Orbison undertones) and more especially Get Along which could easily have become an over excited stomp; but Sweany and bandmates show incredible restraint on a chest tightening Soul-Rocker.

Back in the olden days I don’t know if the songs Steady  or album closer Victory Lap would have been described as Rock Ballads; as that term has gone out of fashion now but both are articulate, intimate and very easy on the ear while retaining Sweany’s trademark powerful honesty in every breath and stanza.
There’s also the surprising inclusion of a pseudo-political song that delves into the troubled past of the USA and more importantly The Southern States. At first I thought Cry of Amede was just a nod in the direction of Dr. John; but delve deeper and you will hear a history lesson that will send a shiver down your spine; as Amede Ardoin who was a Creole musician in the 1930’s and was cruelly beaten for receiving a handkerchief from a white woman as a gift. Sweany gets the unpleasant story across without ever sounding maudlin or even preachy; just giving us the facts in a sensitive and rather beautiful manner.
With so much to choose from; and so many songs that sound exciting, interesting and often just plain fabulous I’m going for the Country Funkylicious No Way No How as my favourite track; simply because it was the first one that I found myself murmuring the chorus too.
This is the third of eight Patrick Sweany albums we’ve reviewed here at RMHQ and each one has come along into our lives just when we needed some rough and ready, sweaty and cinematic Southern Blues with a splash of Rock n Roll flavoured bourbon; and he delivers all of those things with gentlemanly panache.

Released July 6th 2018
http://www.patricksweany.com

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