Sons of Bill
OH GOD! MA’AM.
A Cerebral Musical Journey From Virginia to Seattle Via The West Coast.
This is another band who seem to have passed me by; even though I have three disparate tracks in my collection which I must have downloaded for my old radio show.
So it was with a completely open mind that I pressed ‘play’ two weeks ago.
Opening song Sweeter, Sadder Farther Away wasn’t what I was expecting at all, as it’s something of a sensory overload… with an ethereal piano at it’s heart and a melancholic voice re-telling something of a modern Gothic love story.
Firebird ’85 which follows is nearer what I was expecting from Sons of Bill; with it’s harmonies and Lo-Fi sensibilities filling a claustrophobic Alt. Country love song.
It’s difficult, but fun trying to describe the Sons of Bill ‘sound’ as it flits around like a sparrow; one minute it’s the jangly guitars of Where We Stand; then it’s almost psychedelic Pop with Before We Fall; which is immediately followed by the transcendental Alt. Country of Green to Blue; which begets Old and Gray which could be the Jayhawks or Wilco at their finest.
Although none of the brothers sound in the slightest like Michael Stipe; it’s been REM that has sprung to mind when I found myself becoming ensconced with Easier and the album closer Signal Fade, alongside several others too; but in their defence Sons Of Bill appear to have taken a lot of musical influences and distilled them through their Virginia moonshine still and come out the other end with their very own and distinctive style of intricate Alt. Country.
It’s difficult to pin-point what I like most about the Wilson Brothers aka Sons of Bill; is it the magnificent guitar playing? The harmonies that only siblings can truly produce? Or is it the deeply thoughtful songs that they write and sing so beautifully? Or is it a combination of all three? Probably the latter as the RMHQ ‘Favourite Song’ proves with Believer_Pretender. Played LOUD in the car it almost shook the wing mirrors off; yet it also proved the perfect soundtrack when oozing out of the speakers in the garden on a hot and sunny afternoon.
Oh God Ma’am is a harshly beautiful album that slip slides seamlessly from track to track, taking the listener on a cerebral journey unlike anything else I’ve heard this year.
Released June 29th 2018