The Dead South
ILLUSION & DOUBT
Dead Duck Records
Cool Bluegrass and Classic North American Folk for People Who Hate Bluegrass and Classic North American Folk Music!
When I first received this album I accidentally read the accompanying Press Release before hearing the contents…….’A signature blend of Bluegrass and Classic Folk’ it read. Yikes……all I needed was something like ‘Prog Rock overtones’ too and it might have gone straight in the bin unheard!
So, with caution and plenty of scepticism I pressed ‘play’….oh dear…..that is a banjo if I’m not mistaken…..yes it is; but within 30 seconds a grizzled voice, a mandolin and a cello joins it and the mood is immediately cranked up to 11 as Boots gets the party started with gusto.
Oh dear; I can’t believe how easily I fell under the spell of these crazy Canadians The Deep South’s spell……but who won’t with dancetastic songs like Smootchin in the Ditch, One Armed Man and Deadman’s Chew too?
There are surprises around every corner; and good ones too. I expected The Good Lord to be some kind of God Fearing Gospel song……but, Hell No! These kids know how to coral ‘lovin, cheatin, drinkin and cussin’ songs in a way that left me smiling like a Cheshire Cat.
On a similar theme it took me a couple of plays to unravel Time For Crawlin’ but when I did it really tickled me and has a chorus that just begs to be sang along to……very loud.
If you’ve not heard of the Dead South before; think if ever Quentin Tarantino made a film about the Beverley Hillbillies he needn’t look any further than Hard Day, Miss Mary and the cinematic Massacre of El Kuroke for his soundtrack.
Then of course I am obliged to choose a Favourite Song’ and I can’t look further than the epic closing track Gunslinger’s Glory with it’s Waltz-like ending which epitomises everything good about ILLUSION & DOUBT. It’s a bit Bluegrass, a bit Old Timey Country, a bit quirky and the musicianship, harmonies and singing all combine perfectly on a sublime tale of the New Old West and coming in at just over 8 minutes but sounding like 3.
I’ve seen and heard plenty of groups like The Dead South over the years; but the majority come across as too ‘reverential’ and ‘earnest’ in their quest to sound like the originators but the Dead South sound like they not only appreciate the work of their forefathers and ‘genuinely know their stuff’ but they predominantly want to have fun, and share that fun with listeners all over the world.
Well, dear reader I’ve played it a few times now and, while it does contain plenty of Bluegrass and Classic Folk; there is oh so much more in the grooves here that is actually enjoyable and their professional Punky/Sloppy approach makes it Bluegrass and Classic North American Folk for people like me who hate Bluegrass and Classic North American Folk Music!
Released March 23rd 2018