Only Blues Music (Australia)
Soul Sister and Heartbreaker Extraordinaire.
As an old Soul Boy; finding good high quality Soul Music these days is becoming increasingly difficult, as the majority of what is being called R&B ain’t really got Rhythm and certainly isn’t what I call The Blues!
My appetite was sated a recently when I accidentally discovered a label called Ecko Records which released some really saucy and sassy albums by acts like Miss Jody, Sheba Potts-Wright and (my favourite) Barbara Carr, but it appears to have sunk without trace; leaving me with my old record collection for solace.
So it was with great delight when my favourite Blues PR man, Frank Roszack sent me this terrific album by Sri-Lankan born and Australian brought up, musical powerhouse Andrea Marr.
Even the cover artwork will get Soul aficionados blood pumping and when opening track Force of Nature comes blasting out of the speakers feet all over the world will twitch and tap as hips shake like leaves in a storm.
Andrea Marr and The Funky Hitmen sure know how to get a party started as they use every trick in the book with their swinging horn section and a firecracker guitarist coupled to a steam powered organ, drummer and bassist giving Andrea’s amazing voice a backing it well deserves.
Track #2 will give you a real idea about where Ms Marr is coming from as she tears away all of the Pop trappings from Aretha’s Rock Steady and turns it into the sassy Rhythm AND Blues song of seduction it was always meant to be!
As with all the great Soul that came out of Stax and Atlantic in that halcyon bygone age and what Daptone Records currently do better than anyone else, Miss Andrea Marr combines passion, energy and S-O-U-L with melodies and hooks to die for on What Do I Have To Do and Mama Gets It Wrong Sometimes Too, but it’s when she writes and sings from and about the heart this album surpasses any similar releases in the last 20 years.
That’s Where Love Ends and Sticks and Stones are both the type of slow song I wanted to hear when the lights went down low at the end of the night in a Club or at a party.
While not as ribald as those Ecko albums I love, Andrea includes a couple of earthy songs of seduction in Good Man and the quaintly titled Let’s Take It To The Bedroom, when she shows she’s a lady that knows what she wants and…..trust me; she’s going get what SHE wants!
That last song was very nearly (and probably should be) my favourite track here; but I’m actually going for something a bit left of centre with Grateful; a rather beautiful bittersweet love song that evokes memories of discovering the delights of Aretha, Phyllis Nelson and, of course more recently Sharon Jones; and now Andrea Marr appears to have the same ability to touch my heart with her magical words and phrasing too.
Released October 31st 2017