Holy Moly and the Crackers
Pink Lane Records
Frighteningly Exciting Gothic Folk Rock!
It was on a sunny Saturday afternoon at SummerTyne Festival in 2011, when I first fell in love with Holy Moly and the Crackers as they stole the show with a performance akin to bands like the Pogues or The Men They Couldn’t Hang that I grew up with.
Over the next couple of years they released a cool EP (Lilly) and a blazing album and I lost count of the number of times I saw the perky quartet play; occasionally augmented by mates on a variety of instruments to beef up the songs and; just because they felt like it some nights. One thing is for sure; they never stood still and always pushed their boundaries….in a good way.
But……absolutely nothing before has prepared me for THIS.
Amazingly, the title track Salem, which opens the record features (stars?) Ruth Patterson singing a very dark tale based on the Salem Witch Trials set to what can only be described as a punchy chamber orchestra and ……wow….and….. DOUBLE WOW!
This is followed by Cold Comfort Lane, a really punchy ’60s influenced hard edged piece of demonic psychedelia; again with Ruth Lyon at the forefront.
Who knew Ruth had such a powerful voice? I did. Honestly, I always thought she was cruelly underused on that front, as her voice was almost velvety smooth and a great counterpoint for Conrad Bird, the band’s traditional #1 singer. But even I didn’t think she was ‘this good’.
Conrad only makes his first appearance on the vocal front on track #3 Hallelujah, Amen and his rich baritone takes us into Alex Harvey and Wily Bo territory on this and the rocktastic Hippitty-Hop of Mary which follows. Play both as loud as possible for the best effect btw.
I’m not going to describe each individual song for you; as that will spoil the joyous surprise that faces you when you buy SALEM; and you will…..you must.
By no stretch of the imagination is this album just about the singers Ruth and Conrad; as to make music of this outstanding quality it takes a collective and an honourable mention must go to the shyest woman in Rock and Roll, Rosie Bristow for her judicial use of accordion throughout and drummer Tommy Evans whose ‘Ringo Starr on steroids’ style provides a spine for everyone else to play off and around.
There are a couple of other songs I must point you in the direction of too; Conrad exuding the delights and dangers of Sugar on the song of the same title; the sexy gypsy jazz-folk of Easy as the Sunrise and the atmospherically sweeping ballad Yours to Keep which closes the album, spring to mind; but by far and away my ‘favourite’ track is Woman From Spain which sounded great the first time I heard it; then on the second play I had to do a double take and go back to the beginning as I couldn’t believe my ears. But yes sirree Bob, Ruth Lyon, the saucy minx really is singing about a torrid sapphic holiday love affair and the band let rip in suitable style behind her too.
In theory none of this should work, but the band threw caution to the wind by raising funds to record SALEM in London Town under the guidance of producer Matt Terry, engineer Gethin Pearson and then getting everything mastered by Nigel Watson who combined have a track record as long as your arm; and collectively have managed to get the sounds that have been bouncing around the bands heads actually down on disc in a way these crazy kids could never have imagined in their wildest dreams.
In this day and age I’m staggered that a band can still be prepared to take risks with their music; as that is what Holy Moly and the Crackers have done here, and they just may have tapped into a whole new magical formula that will win them legions of fans across Europe in a way that their previous ‘good time’ show couldn’t.
Released 14th July 2017