Six Shooter Records
Feisty and Spirited Folk-Rock From a Canadian Outpost.
Bizarrely, and for the first time in years I had just played Amelia Curran’s previous album THEY PROMISED YOU MERCY the night before I received this, her latest disc. As my Sage like Father used to say, “God acts in mysterious ways.”
Opening track Move a Mile is a real ‘ear-catcher’ as it has a ‘big production’ but also has an air of spaciousness about it. Confused? You won’t be……this is the type of quality singer-songwriter song that was all pervading in the 70’s and 80’s……think Joni, Alannis and perhaps Mary Chapin Carpenter the way Amelia carefully chooses her words and phrases but adds them to a commercial melody making the song very accessible to the casual listener.
While some of the subject matter is quite deep and occasionally dark; Amelia’s warmly expressive voice and some tightly wrapped guitar throughout pulls you in to songs like Sunday Bride and the bittersweet Act of Human Kindness; a song that really highlights not just Amelia’s writing skills but her vocal range too.
I mentioned the 70’s and 80’s earlier but only because that was probably the ‘watershed’ for singer-songwriters, especially female ones who were finally seen as the equal (and in several cases – the leaders) of the male of the species and like Tapestry, Elite Hotel and Blue there is a timeless quality to these songs, especially Try and the angst ridden No More Quiet which could easily have been on any of those classic LP’s.
This is Amelia Curran’s eighth album and that apprenticeship comes across in the way she effortlessly builds the tension in her stories and keeps you hanging on in there until she has got her message across……and that message is always worth waiting for.
While this is basically an old fashioned album that begs to be listened to as a complete package and not in bite size chunks; a couple of songs really do stand out from the crowd.
Every Woman/Every Man is a delicately fragile work that evokes memories of the early Nanci Griffith albums and, now I think about it Carole King’s Tapestry, but is also a trademark Amelia Curran song.
My other favourite is at the other end of the spectrum Gravity is as catchy and punchy a Folk Rocker as I’ve heard for quite a while and held together by a glorious electric guitar spine, that supports Amelia’s expressive vocal performance.
Maybe there’s nothing on the TV in Canada, leaving a lot of time for developing songwriting skills, but here we have another Canadian taking a traditionally American format (is being a singer-songwriter mostly associated with the USA?) and actually bettering it.
RELEASED April 21st 2017