Chilli Willi & The Red Hot Peppers
British Pub Rock Really Did Invent Alt. Country!
From the 60’s we have always had our own Blues infused Pub Rock scene in the NE; but in the mid 70’s London developed it’s now legendary Pub Rock scene. Every Thursday I would look enviously at the pages of Melody Maker and see exotically named bands like Eggs Over Easy, Ducks Deluxe, Brinsley Schwarz, Bees Make Honey and of course Chilli Willi and the Red Hot Peppers, but because of my tender age and that there London being 300 miles away I never actually got to see them.
Over the years I’ve collected a few VA albums featuring these bands; but very few of their actual LP releases have been transferred to the new fangled Compact Disc format; which is why this release has really excited me.
Let’s start with the album sleeve…..OOHEEE! A Barney Bubbles image on the outer sleeve is certainly eye catching; and the accompanying 24 page booklet really does capture a ‘moment in time’ and kept me enthralled all last night.
For Chilli aficionados this release is made up of both LP releases, Kings of the Robot Rhythm and Bongos Over Balham plus the I’ll Be Home Sessions and live recordings plus one unreleased track.
For the rest of us…..here goes….
CD 1, the Kings of Robot Rhythm plus some demos open with Living Out of My Suitcase; a luscious slice of what we now know as Americana but must have been mind-blowing in 1972, when Buffalo Springfield and CSN&Y albums were out of the reach of the average man in the street.
The fiddle and harmonies on Window Pane sound rudimentary today must have been groundbreaking back then; certainly I wouldn’t have heard anything like it at the time. Nashville Rag still stands up today; and I love the way they turn That’s Alright Mama into a bit of a Country Reel.
With this re-release I’d love to hear one of the New Wave of British Country bands have a go at recording Drunken Sunken Redneck Blues and/or the closing track from the debut album A Page in History. Both are still relevant in 2017.
Friday Song was recorded as a single but didn’t get released; which is a bit of a shame as it’s a glorious concoction of Hall & Oats, Gram Parsons and Poco all rolled into one magic carpet ride.
Of the demos, several went on to be included on Bongos, but the delightful Don’t Hurt The One You Love appears to have been lost in the mist of time until now; and the world is a better place for it.
CD 2 is the second album Bongos Over Balham plus some outtakes and live tracks from that era.
The very first song shows a radical change in direction by opening with a rip-snortin version of the Jive classic Choo Choo Ch’ Boogie, and then Desert Island Woman sounding like something you would have heard on Miami Vice.
As you would expect after 40 years, not everything has stood the test of time; but plenty have with Jesse Winchester’s Midnight Bus appealing to me on a personal level and Truck Driving Girl is a joy from start to finish, plus All In a Dream and 9-5 Songwriting Man, while harking back to the first album, show a maturity in the actual songwriting.
This disc is then made up of ‘other sessions’ demos and live versions’ of more or less the same songs, with only Fire On The Mountain, which out fiddles The Charlie Daniels Band, the Rockabilly swing of Pinball Boogie and the new song Papa and Mama Had The Blues baring repeated listening; and I will repeatedly listen to them!
Then of course we have their ‘signature tune’ and title of the best compilation from this era, Goodbye Nashville (Hello Camden Town) which is one of those songs that every songwriter must wish they had written.
At 44 songs in total this could have easily been edited into a tip-top Best Of; but obviously REAL SHARP is aimed at ‘collectors’ while priced to attract casual music fans like me; so works on every level.
RELEASED 24th February 2017